The 10th anniversary of the opening of the Museum: Planning 3 of Puxiang Municipal Art Museum to January 27 next year
The 10th anniversary of the opening of Puxiang City Art Museum (curator Kim Ka soo) will hold a "zero" exhibition in the sense of art history of the "international art movement" zero, which is fetal in Dusseldorf, Germany, in the late 1950s.
This exhibition is to reexamine the history and context of zero, which drives modern art, and reexamine the 10-year activities of the Municipal Art Museum.
On the eve of the opening of the Memorial Exhibition, director Kim Ka soo said at a recent press conference: "the exhibition is planned to commemorate 70 years of promotion of Puxiang city and 10 years of opening of the Municipal Art Museum. In the first half of the century, POSCO promoted the high economic growth of South Korea through the steel industry. Since the new millennium, the development of information and communication technology has led to the fourth industrial revolution, which is not only an economic structure, but also a radical change in the understanding of the world's framework and lifestyle. POSCO, which leads the industrialization, is now preparing for a new leap in the era of industrialization. This is the first time that the Asian Art Museum has introduced the planning intention to the Puxiang Municipal Art Museum, taking the blueprint of the future of Puxiang as the most respected international art movement "zero" in the art history.
In 1950's, more than 50 pieces of equipment, sculpture, plane and image for the use of non-material materials, such as light and mobile, were displayed in the "international art movement" of Xu Taidong and South Korea, Germany, to show the art history of Puxiang in the future
"Zero zero" exhibition introduces more than 50 works of major writers involved in the zero movement, such as setting, carving, plane, image, etc. Of particular concern is the integration of art and technology, and the use of non-material materials such as light and movement in works.
Using the characteristics of aluminum materials, the ocean sign shows the sculpture works of organic interaction between light and motion. The space performance of the automatic shelter shows the infinite world of the universe. The film of jantwick, famous for its "pool" production, can produce the mechanical movement of infinite repeated operation and make the aesthetic experience of the moment of elimination. In addition, with the introduction of the experimental works of the main artists with zero sum influence, such as bocram, pierman and Johnny, we can understand the zero influence in modern art.
Through the exhibition connection project, experts at home and abroad will pay attention to POMA College (2:00-4:00 p.m. every Friday from 27th to November 1), exhibition connection speech (mid November), International Academic Forum (mid December), etc. People who want to participate can apply to participate through the website.
It means that the "zero" of "zero" is the "international art movement" initiated in Dusseldorf, Germany in the late 1950s. It was the German artists Heinz Mark, Opina and Janet Wake who became the mainstay. They showed the new forms of works that grafted technology into art and set an important milestone for the development of modern art.
After two world wars, the center of art moved from Europe to New York. Under the influence of the artists in exile in Europe, the so-called "Abstract Expressionism" artists such as Jackson, Pollock, Barnett, Newman and mark rouscoe appeared, leading the American art. In the early 1960s, Andy Waugh, a symbol of American consumer culture and commercial art trend, alone represented the popularity of "pop art". Art works, which symbolize culture and history and enjoy a special status, have now become commodities for mass production and consumption.
At this time, throughout Europe, avant-garde artists groups and art movements that announced their separation from traditional art took place at the same time. In Spain, "equipo 57" is "noveleyism" in Paris, "gruborn" in Italy and "zero" in dusself, Germany.
At that time, European artists had two epochal subjects to overcome. "How to set up a new relationship with the traditional art isolated and distorted by war" and "how to restore the faded art essence in business". In the various attempts of enterprising artists, the continuity has always been maintained, which has aroused the greatest international repercussions.
"Zero" exhibition will be held in the exhibition hall of Puxiang City Art Museum from January 3 to January 27 next year.
Copyright owners are forbidden to reprint and redistribute the works in Qingbei every day